“Julien Van Mellaerts became the shooting star of the evening in the title role of Figaro. The young New Zealander is still unknown on the opera stage, but his charisma and vocal elegance were in no way inferior to the Count of Florian Boesch.”
Figaro: Le nozze di Figaro / Salzburg Mozart Week / Das Opernmagazin
J U L I E N V A N M E L L A E R T S
B a r i t o n e
Winner of the Maureen Forrester Prize and the German Lied Award at the 2018 Concours Musical International de Montréal, Winner of the 2017 Wigmore Hall / Kohn Foundation International Song Competition, the 2017 Kathleen Ferrier Awards, and the 2015 Maureen Lehane Vocal Arts Award, New Zealand / British baritone Julien Van Mellaerts graduated with the Tagore Gold Medal from the International Opera School of the Royal College of Music. His studies have been supported by the Kiwi Music Scholarship, a Countess of Munster Award, the Hunn Trust and the ongoing support of the Dame Kiri Te Kanawa Foundation. He is also a scholar and alumnus of the Verbier Festival Academy, the Heidelberger Frühling Lied Academy with Thomas Hampson, the Bayreuth Festspiele Stipendium, a Samling Artist and a lauréat of La Fondation Royaumont. In January 2021, he was invited to return to the Royal College of Music as a member of the staff to teach English Song. He is also the co-curator and co-founder of the recital series Opera in Song at Opera Holland Park with Dylan Perez.
Engagements during 2022 / 2023 currently include the title role in Wozzeck for Orchestra Wellington, Ned Keene Peter Grimes and Vaughan Williams Five Mystical Songs at the St Endellion Festival, Oreste Iphigénie en Tauride for his debut at the Opéra National de Lorraine, Guglielmo Così fan tutte for New Zealand Opera, Masetto Don Giovanni at Salzburg Music Week, Prince Yamadori Madama Butterfly for the Israeli Opera, L’Enfance du Christ at the Wimbledon Festival, Julian Philips’ Sweet Love Remembered at the Presteigne Festival, Vaughan Williams Serenade to Music with the Nash Ensemble and Samling Artists showcase, both at the Wigmore Hall, a return to the Oxford Lieder Festival with Fauré Requiem and songs with harpist Olivia Jageurs, Friends and Lovers: Ralph and Ursula Vaughan Williams for the London Song Festival, Landscapes and Legends at Penkhull Festival, and The Soul’s Expression at the inaugural Shipston Song Festival. He also appears at the 2022 At the World’s Edge Festival in New Zealand and at Salle Cortot, Paris.
Engagements during 2021 / 2022 included Duke of Nottingham Roberto Devereux at the Badisches Staatstheater Karlsruhe (also for Chelsea Opera Group), Garibaldo Rodelinda at the Göttingen Festival, Silvio Pagliacci for the Israeli Opera, Masetto Don Giovanni at the Verbier Festival, Count Almaviva Le nozze di Figaro for Opera Holland Park, J. S. Bach B Minor Mass with the New London Orchestra, further performances of Brahms German Requiem with Ensemble Aedes and Les Siècles, the world premiere of John Lubbock’s orchestration of Dichterliebe with the Orchestra of St John’s, Mahler Des Knaben Wunderhorn with the Scottish Chamber Orchestra, Mahler en héritage for the Fondation Royaumont, Mozart Coronation Mass at the Newbury Festival, Vaughan Williams Fantasia on Christmas Carols with the Royal Philharmonic Orchestra at the Royal Albert Hall, Songs of Innocence and Experience for Oxford Lieder and A Dangerous Obsession for the London Song Festival.
Working regularly with pianists such as James Baillieu, Lucy Colquhoun, Julius Drake, Jocelyn Freeman, Simon Lepper, Joseph Middleton, Dylan Perez, Ian Tindale and Jonathan Ware, he has toured for Chamber Music New Zealand and given recitals at the Wigmore Hall, Pierre Boulezsaal Berlin, Verbier Festival, Enniskillen International Beckett Festival, Juan March Fondación Madrid, Victoria de los Angeles Lied Festival (LIFE Victoria) Barcelona, Oxford Lieder Festival, Leeds Lieder, London Song Festival, Opera Holland Park, Fondation Royaumont, Piano Salon Christophori Berlin, Temple Song London, Royal Opera House, BBC Glenarm Festival of Voice.
Singing under conductors including Alphonse Cemin, Valeri Gergiev, Jonathon Heyward, Stanislav Kochanovsky, Fabio Mastrangelo, Mathieu Romano and Sir András Schiff, his engagements have included The Ferryman Curlew River for the Cross-Cultural Year of Russia and Great Britain at St Andrew’s Anglican Church, Moscow, Oreste Iphigénie en Tauride at the Fondation Royaumont, Figaro Le nozze di Figaro at Salzburg Mozart Woche 2020, Count Almaviva Le nozze di Figaro for Opera Holland Park, Papageno Die Zauberflöte at the Verbier Festival, Beethoven Cantata for the Death of Joseph the Second with Symphonia Varsovia, Brahms German Requiem with Ensemble Aedes and Les Siècles, Handel Arias with the Bellot Ensemble, and joined Louise Alder and Roderick Williams for Momentum: Our Future, Now recitals.
With the Royal Ballet, he appeared in Elizabeth with Zenaida Yanowksy at the Barbican Hall. Further engagements have included The Referee Mozart vs Machine for Mahogany Opera Group, Schaunard La bohème for New Zealand Opera, the title role in Stanford’s The Travelling Companion for New Sussex Opera, Harlequin Ariadne auf Naxos for Longborough Festival Opera, the title role in Eugene Onegin for Cambridge Philharmonic Society, Mr Fezziwig in the premiere of Will Todd’s A Christmas Carol for Opera Holland Park, Britten War Requiem in Lincoln and Salisbury Cathedrals, Copland Old American Songs with the Joensuu City Orchestra, Messiah with the Orchestra of St John’s, Mahler Kindertotenlieder with the Kensington Symphony Orchestra and Lieder eines fahrenden Gesellen on tour with the Israel Camerata.
Julien Van Mellaerts represented New Zealand at Cardiff Singer of the World 2019. His broadcasts and recordings include Britten War Requiem (Siren Media), Songs by Duparc, Fauré, Richard Strauss and Vaughan Williams (Classic fM), In Tune and Lunchtime Recitals (BBC Radio 3), Mahler’s Des Knaben Wunderhorn (Rádio Clásica España) Don Giovanni, Die Zauberflöte, Die Frau ohne Schatten and Salome (Medici TV) and The Travelling Companion (SOMM Recordings). His debut song CD, Songs of Travel and Home with James Baillieu, is now available on Champs Hill Records and he also commissioned and recorded Gareth Farr’s and Paul Horan’s Where Will They Bury My Bones? for the Auckland Arts Festival and Radio New Zealand, now available on Songbroker NZ. Other recent releases include Barber’s Dover Beach and the previously unrecorded Two Songs of Youth on Resonus Classics, Samuel Barber: The Complete Songs (Editor’s Choice for BBC Music Magazine and an Observer CD of the Week), Rodelinda on Accent CD and Russell Pascoe’s Secular Requiem on Regent CD (Gramophone Editor’s Choice for January 2023). His next disc, Songs of the Night, is to be released in 2023 with Lucy Colquhoun and Rowan Pierce on Champs Hill Records.
"With a beautiful voice, Julien Van Mellaerts made an excellent impression both visually and as an actor"
Duke of Nottingham: Roberto Devereux / Badisches Staatstheater / Badische Neueste Nachrichten
"Julien Van Mellaerts' sentient Dover Beach is a highlight"
Samuel Barber: The Complete Songs (Resonus Classics) / BBC Music Magazine
"Julien Van Mellaerts' baritone blends beautifully with the strings and his reading bears comparison with both Hampson and Fischer-Dieskau"
Samuel Barber: The Complete Songs (Resonus Classics) / MusicWeb International
"We get a first class rendering of 'Dover Beach'. Julien Van Mellaerts and the Navarra Quartet are in rapt accord..."
Samuel Barber: The Complete Songs (Resonus Classics) / Gramophone Magazine
"Julien Van Mellaerts makes Garibaldo far more than a pantomime baddie, epitomised by a subtle, insinuating 'Di Cupido' in which he expounds his ruthlessly cynical philosophy"
Garibaldo: Rodelinda / Göttingen International Handel Festival / Gramophone Magazine
"Beautiful expression, impeccable phrasing and very attractive timbre"
Masetto: Don Giovanni / Verbier Festival / Wanderer: Peter Verlacl
"Julien Van Mellaerts is a Masetto of noble bearing, both touching and biting in his presentation of jealousy, his baritone beautifully projected over the whole range"
Masetto: Don Giovanni / Verbier Festival / Olyrix: Pierre Geraudie
"In the role of the lover, Julien Van Mellaerts has an elegant presence and a pleasing, refined vocal style"
Silvio: I Pagliacci / Israeli Opera / Ha'aretz
“Julien Van Mellaerts’ Duke of Nottingam was a deliciously scheming villain.”
Duke of Nottingham: Roberto Devereux / Chelsea Opera Group / The Times 5*
“Julien Van Mellaerts has an elegant presence and a pleasing, refined vocal style…”
Silvio: Pagliacci / Israeli Opera / Ha’aretz
"A heartfelt, glorious disc of song, the programme imaginitive, the performances radiant."
Songs of Travel and Home (Champs Hill Records) / Classical Explorer
"This is a lovely disc, not just beautifully sung and played, but genuinely personal in tone. The programme is performed with both insight and affection. I know that I shall return to 'Songs of Travel and Home' time and again, most especially for the sensitive interpretation of Bridge's Three songs; for the pathos and humour of Farr's avian portraits; and for the engaging journey that e make alongside Vaughan Williams' vagabond."
Songs of Trav
"Baritone Julien Van Mellaerts was superb as the aggrieved Duke of Nottingham. Always mellifluous and elegant of voice... He evinced real dramatic power in Act 3."
Duke of Nottingham: Roberto Devereux / Chelsea Opera Group / Opera Today
Count Almaviva: Le nozze di Figaro / Opera Holland Park 2021
“Van Mellaerts makes a superb Count, a dangerously attractive figure, capable of turning from charm to angry hauteur in a flash…”
“Julien Van Mellaerts spun long, suave lines in the Count’s aria…”
“Julien Van Mallaerts sang the Count with authority and bravado…”
“Julien Van Mellaerts was an aristocratic but deliciously self-important Count, behaving with glorious abandon yet never losing consciousness of his status. From his first appearance, deliberately flashing naked legs and boxer shorts (under his robe) at Susanna to his final capitulation to the Countess this was a fully rounded performance. We could laugh at the way his servants frustrated his plans, and decry his selfishness but Van Mellaerts also made him sympathetic, a little of the self-important yet powerless underdog who does not realise that he lacks power. A delightful performance, well-judged in balancing comedy and anger, and finely sung.”
“Strong dramatic performances from (ia) Julien Van Mellaerts’ emphatic, hectoring Count – — excellent with the text as one would expect of the 2017 Wigmore Hall Song Competition winner…”
The Sunday Times
Duke of Nottingham / Chelsea Opera Group 2021
“Julien Van Mellaerts proved a highly effective Duca di Nottingham as he asserted his secure and pleasing baritone to excellent effect.”
“Baritone Julien Van Mellaerts was superb as the aggrieved Duke of Nottingham. Always mellifluous and elegant of voice, Van Mellaerts persuasively charted Nottingham’s evolving feelings from affability and concern to pain and anger, and finally vengeful vindictiveness. He evinced real dramatic power in Act 3.”
“Julien Van Mellaerts switched from joviality to rage with skill, suggesting how powerful he will be in future Verdi roles revolving around betrayal.”
Plays To See
“Julien Van Mellaerts had great fun with Nottingham who starts out as reliable and sympathetic to Roberto, a good friend, but on discovering that Roberto loves Sara, his wife, Nottingham turns vengeful and Van Mellaerts really made us feel the change, without ever blustering. This was a finely sung account of the role, but one full of character, and also a lovely flexible top to his voice.”
“Julien Van Mellaert’s Duke of Nottingham was a deliciously scheming villain.”
Songs of Travel and Home / Champs Hill Records 2021
“A heartfelt, glorious disc of song, the programme imaginative, the performances radiant.”
“This is a fantastic disc: a singer with a very expressive voice, a pleasing tone, a great insight into the music, and accuracy pitch…In my mind, this is a must have recording.”
Classical Music Daily
“This disc would be notable if only because it’s the debut recital recording of the much-awarded and much-travelled New Zealand-born baritone Julien Van Mellaerts… Thanks to the baritone’s natural enunciation and the pianist’s detailed shading, the performance goes beyond the outward descriptive elements and well into the fantasy, romance and even visionary qualities that sometimes need to be coaxed from the music. From a purely vocal standpoint, I particularly love the way Van Mellaerts ascends fluidly to his upper range.”
“…a lovely collection of arts songs performed with beauty, subtlety and wit.”
“This is a lovely disc, not just beautifully sung and played, but genuinely personal in tone. The programme is performed with both insight and affection. I know that I shall return to Songs of Travel and Home time and again, most especially for the sensitive interpretation of Bridge’s three songs; for the pathos and humour of Farr’s avian portraits; and for the engaging journey that we make alongside Vaughan Williams’ vagabond.”
Garibaldo: Rodelinda / Göttingen International Handel Festival 2021
“Julien Van Mellaerts was suitably mean as the sneering villain Garibaldo, with a smooth, resonant voice.”
“Julien Van Mellaerts enjoyed playing the baddie, wrapping his firm baritone around Garibaldo’s “Tirannia gli diede il regno…”
“As a well-deserved award winner of numerous singing competitions, Julien Van Mellaerts became the shooting star of the evening in the title role of Figaro. The young New Zealander is still unknown on the opera stage, but his charisma and vocal elegance were in no way inferior to the Count of Florian Boesch.”
Figaro: Le nozze di Figaro / Salzburg Mozart Week / Das Opernmagazin
“The character of Papageno requires a lot of theatrical energy and lightness, which the baritone, with his assured voice and clear and articulated projection, absolutely fulfilled, anchoring the show, and quickly making him the most touching character of the opera.”
Papageno: Die Zauberflöte / Verbier Festival / Olyrix
“Julien Van Mellaerts a lively Schaunard with his rich baritone and high-spirited acting...“
Schaunard: La bohème / New Zealand Opera / Bachtrack
“Julien Van Mellaerts possesses a distinctive, birch-grained baritone, subtle verbal skills and a generous presence which made him a model, Housman-esque Companion.”
The Traveling Companion / New Sussex Opera / Opera
“Julien Van Mellaerts’ baritone songs are beautifully, conversationally delivered…”
The Arts Desk / Elizabeth / Royal Ballet at the Barbican
“…the baritone Julien Van Mellaerts brings the songs to life with warmth and wit.”
The Times / Elizabeth / Royal Ballet at the Barbican
“Eisenstein, the philandering husband about to go to prison for assaulting a police officer, was sung by the New Zealand baritone Julien Van Mellaerts. He managed to be both bumptious and suave, while also negotiating the high notes skillfully.”
The Guardian / Gabriel von Eisenstein: Die Fledermaus / RCMIOS
“Julien Van Mellaerts made a nicely fatuous Eisenstein, and his sunny tenorial baritone made one regret the character’s lack of an aria.”
Opera / Gabriel von Eisenstein: Die Fledermaus / RCMIOS
"...there was a sense of substance behind the macho bravado of Julien Van Mellaerts' Husband, even when togged up in a floral wrapover dress and matching turban..."
Opera / Le Mari: Les mamelles de Tirésias / RCMIOS
“As Le Mari, New Zealander Julien Van Mellaerts displayed the characteristic ‘open, engaging tone’ and ‘muscularity and vitality’ that I’d enjoyed at the Kathleen Ferrier Awards Final earlier this year. Van Mellaerts delighted in the grotesqueries and improbabilities, and the brightness and power of his baritone enabled Le Mari to hold his own against his wife’s feminist proselytizing.”
Opera Today / Le Mari: Les mamelles de Tirésias / RCMIOS